A look at the motion picture production code and its effects on Hollywood.

This featurette from The Curse of the Were-Rabbit (2005) details the history of Wallace and Gromit, their Oscar-winning short films and how Aardman Animations and DreamWorks came to work together.

Reverse Cowgirl. Rusty Trombone. The Wheelbarrow. Go inside the government office responsible for creating sexual positions as one woman pitches the position she hopes will take the world by storm.

A look at The Hays Code and the methods used by film artists, actors, directors to work with, work around and even subvert the intent of The Hays Code, during a period of very socially repressive regimes in political and civil power

A follow-up special to ABC's 1987 "The Ultimate Stuntman: A Tribute to Dar Robinson." The program includes clips of great stunts, interviews with celebrities and profiles of legendary stuntpeople.

The first time Jack ever meets Richard, his biological Dad, is two hours before Richard's funeral, where he's been asked to wash and dress the body. When Richard's lifeless body starts talking back to him, Jack realises he's got a second chance at a first meeting.

The cast and crew of The Hills gather one last time to say goodbye.

A film director decides to chart the course of a young actor as he tries to make it in Hollywood...

Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?

Jessica, a young, up-and-coming filmmaker in Hollywood has made a name for herself directing Christmas movies. But when handsome network executive Christopher shows up threatening to halt production on her latest movie, Jessica’s assistant, Reena, points out the irony: Jessica isn’t just trying to save her Christmas movie, she’s actually living in one. Jessica must now juggle all the classic tropes—her actors falling in and out of love, a wayward elf dog, and her own stirring romantic feelings for her perceived nemesis—in order to get her movie and her life to their happy endings.